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FEATURED LENSES

PRIMEs

Prime lenses bring a distinct feel and special characteristics to images, elevating productions with a unique and cinematic look. Each prime lens has its own character, with different focal lengths and aperture settings providing different perspectives and bokeh effects. The use of prime lenses can also impact the emotions of an audience, allowing for emphasis on specific elements in a frame and controlling the way the scene is experienced.

By choosing prime lenses, you can take advantage of sharper images, wider apertures, and more creative control.

ARRI Signature Primes

While the Signature Primes exemplify state-of-the-art optical precision, they have been designed to render organic, emotionally engaging images, gently softening and texturizing the large format with natural skin tones and creamy bokeh.

A fast T-stop of T1.8 facilitates shallow depth of field and the smooth focus fall-off gives subjects heightened presence in the frame. These lenses feature a native LPL mount.

Tribe7 Blackwing7 Prime Set

Purpose-designed for large format motion picture imaging, BLACKWING7 lenses from TRIBE7 represent an entirely new range of tuned optics for contemporary film makers to use within their creative story telling.

BLACKWING7 optics exhibit unique imaging properties which arise from the introduction of controlled distortion during the development and manufacturing processes. This distortion is modular and allows a level of tuneability over key parameters which shape many creative characteristics of the lenses.

ARRI ZEISS Ultra Prime Set

The Ultra Prime Lenses have the widest focal range of any 35mm prime lens set available to cover every cinematic need: from the unique Ultra Prime 8R extreme wide angle lens to the best telephoto lens designed specifically for motion pictures, the Ultra Prime 180 mm, giving you the flexibility to get the coverage you want.

Ultra Prime Lenses retain their excellent image quality even at close focus across the whole Super 35 frame. They are lightweight standard speed lenses that are a perfect optical match to the high speed Master Prime Lenses.

COOKE PANCHRO/I CLASSIC T2.2 FULL FRAME PRIME LENSES

Set Includes: 25mm / 32mm / 50mm / 65mm / 75mm / 100mm

The Cooke Panchro/i Classic T2.2 Full Frame Prime Lens combines the warm look of a vintage Cooke Speed Panchro with the convenience of the /i Technology lens data capture system. This updated full frame redesign works with both digital cinema and film cameras, features focus scales on both sides marked in feet, and covers full frame image formats.

The Panchro/i Classic Primes are color-matched with Cooke's S4/i, 5/i, mini S4/i, and Anamorphic/i lenses. Each Panchro/i Classic Prime lens sports both a hardened PL mount and a cable connection that uses Cooke's /i Technology to transmit lens data including focal length, aperture, focus, and depth of field to compatible cameras.

Cooke S4/i Prime Set

The Cooke S4/i Prime Lens Set is a high-end set of lenses that are designed for professional film and television production. The set includes a range of prime lenses with focal lengths ranging from 18mm to 300mm, which allows for the capture of a wide range of shots, from wide-angle landscapes to tight close-ups. The lenses are compatible with a range of camera systems, including RED, ARRI, Sony, and Canon cameras, and are designed to deliver superior image quality and color rendition.

The Cooke S4/i Prime Lens Set is known for its advanced optical design, which includes a unique coating that helps to reduce flare and ghosting and improve contrast. The lenses also feature a consistent T-stop of T2.0 across the entire set, which allows for easy and accurate exposure control. Additionally, the lenses are built to withstand the rigors of professional use, with a durable and weather-resistant construction.

Overall, the Cooke S4/i Prime Lens Set is an excellent choice for film production businesses that require high-quality lenses for their professional productions. The set's advanced optical design, consistent T-stop, and durable construction make it an ideal choice for use in a wide range of shooting environments, while its compatibility with a range of camera systems makes it a versatile tool for film production.

Leitz Summicron-C Prime Set

The Leitz Summicron-C Prime Lens Set is a high-quality set of prime lenses designed for professional film and television production. The set includes a range of lenses with focal lengths ranging from 18mm to 135mm, allowing for a wide range of shooting possibilities. These lenses are compatible with a range of camera systems, including RED, ARRI, Sony, and Canon cameras, and are designed to deliver superior image quality and color rendition.

The Leitz Summicron-C Prime Lens Set is known for its advanced optical design, which includes a unique coating that helps to reduce flare and ghosting and improve contrast. The lenses also feature a consistent T-stop of T2.0 across the entire set, which allows for easy and accurate exposure control. Additionally, the lenses are built to withstand the rigors of professional use, with a durable and weather-resistant construction.

Overall, the Leitz Summicron-C Prime Lens Set is an excellent choice for film production businesses that require high-quality lenses for their professional productions. The set's advanced optical design, consistent T-stop, and durable construction make it an ideal choice for use in a wide range of shooting environments, while its compatibility with a range of camera systems makes it a versatile tool for film production.

DZOFILM VESPID PRIME CINE 10-LENS KIT

Set Includes: 16mm / 21mm / 25mm / 35mm / 40mm / 50mm / 75mm / 100mm / 125mm

This DZOFilm VESPID Prime Cine 10-Lens Kit is suitable for use on productions ranging from independent to studio films. The included 21, 25, 35, 40, 50, 75, 100, and 125mm T2.1, 16mm T2.8, and Macro 90mm T2.8 PL mount lenses cover full-frame sensors and project a 46.5mm image circle yet are small and lightweight, making them an excellent choice for handheld, gimbal, and drone work.

The lenses feature an internal focus design that minimizes focus breathing while keeping the front of the lens from rotating and the lens from changing size while you change focus. The shared position of the focus and iris gears across the lens set makes for fast lens changes with minimal adjustment of lens accessories. An included hard case carries your lenses and protects them during storage and transport.

Lomo Spherical Standard Speed Primes

The Lomo Spherical Standard Speed Primes are a set of vintage cinema lenses that were built in the 1950s. These lenses are known for their distinctive and characterful look, which can add a unique visual style to any film project. The set includes 10 lenses with focal lengths ranging from 18mm to 150mm, all with PL mounts.

These lenses are ideal for filmmakers who want to achieve a vintage, filmic look in their projects. The Lomo Spherical Standard Speed Primes offer a beautiful, slightly soft image with plenty of character and texture. They also produce beautiful, natural-looking skin tones and a smooth, organic bokeh that is perfect for creating a dreamy, nostalgic atmosphere. These lenses are perfect for filmmakers who want to capture a classic, vintage look and add a touch of nostalgia and romance to their work.

Overall, the Lomo Spherical Standard Speed Primes are a valuable addition to any filmmaker's kit, offering a beautiful, unique look that is perfect for capturing the magic of the golden age of cinema.

    • Vintage, filmic look with a slightly soft image and plenty of character and texture

    • Beautiful, natural-looking skin tones

    • Smooth, organic bokeh for a dreamy, nostalgic atmosphere

    • Consistent color rendering across the entire set

    • PL mount for compatibility with a wide range of cinema cameras

    • Built in the 1950s for a classic, timeless look

    • A unique addition to any filmmaker's kit for creating a vintage aesthetic.

  • T2.8 / 18mm / 85mm
    T2.1 / 22mm / 65mm
    T2.4 / 28mm / 89mm
    T3.1 / 35mm / 66mm
    T2.9 / 40mm / 90mm
    T2.1 / 50mm / 92mm
    T2.1 / 75mm / 92mm
    T2.3 / 75mm Macro / 79mm
    T2.1 / 100mm / 62mm
    T3.1 / 150mm / 73mm

    *Iris ring is located on the front of each lens. Clamp-on matteboxes cannot be used on these lenses.

  • Lens Mount - PL

    Lens Format Coverage - FF/Vistavision

    Image Circle - 43.0 mm

Mamiya Sekor-C

The Mamiya Sekor-C Cinemodded lenses are a set of vintage cinema lenses that have been converted for use in modern filmmaking. These lenses offer a unique combination of vintage character and modern functionality, making them a valuable addition to any filmmaker's kit. The set includes seven lenses with focal lengths ranging from 35mm to 210mm, all with PL mounts and an 80mm front diameter.

These lenses have been carefully modified to provide a cinematic look with modern features. They offer consistent color rendering and excellent optical performance, producing sharp, detailed images with beautiful bokeh and a classic vintage aesthetic. The lenses also feature a smooth focus and aperture control, making them easy to use for filmmakers of all skill levels. With the Mamiya Sekor-C Cinemodded lenses, filmmakers can capture a unique, nostalgic look that harkens back to the golden age of cinema.

These lenses are versatile and can be used for a wide range of film projects, from narrative features to commercials and music videos. The set includes a macro lens for close-up shots and a telephoto lens for capturing distant subjects. The Mamiya Sekor-C Cinemodded lenses are a great choice for filmmakers who want to achieve a vintage, cinematic look while still enjoying the benefits of modern technology.

    • Exceptional background separation

    • Soft and delicate flares

    • Fine details beautifully rendered

    • Optimal results with all sensors due to near-telecentric design

    • Very low distortion and chromatic aberration

  • T3.5 / 35mm / 80mm
    T2.8 / 45mm / 80mm
    T2.8 / 55mm / 80mm
    T2.8 / 70mm / 80mm
    T1.9 / 80mm / 80mm
    T4.0 / 120mm Macro / 80mm
    T2.8 / 210mm / 80mm

  • Lens Mount - PL

    Lens Format Coverage - Super35

    Image Circle - ~31.1 mm

Tokina Vista One Prime Set

The Tokina Vista One Prime Lens Set is a set of high-end prime lenses designed for professional film and television production. The set includes a range of lenses with focal lengths ranging from 18mm to 105mm, allowing for a wide range of shooting possibilities. These lenses are compatible with a range of camera systems, including RED, ARRI, Sony, and Canon cameras, and are designed to deliver superior image quality and color rendition.

The Tokina Vista One Prime Lens Set is known for its advanced optical design, which includes a unique coating that helps to reduce flare and ghosting and improve contrast. The lenses also feature a consistent T-stop of T1.5 across the entire set, which allows for easy and accurate exposure control. Additionally, the lenses are built to withstand the rigors of professional use, with a durable and weather-resistant construction.

Overall, the Tokina Vista One Prime Lens Set is an excellent choice for film production businesses that require high-quality lenses for their professional productions. The set's advanced optical design, consistent T-stop, and durable construction make it an ideal choice for use in a wide range of shooting environments, while its compatibility with a range of camera systems makes it a versatile tool for film production.

Sigma FF Prime Set

The Sigma FF High-Speed Prime Lens Set is a set of high-quality prime lenses designed for professional film and television production. The set includes a range of lenses with focal lengths ranging from 14mm to 135mm, allowing for a wide range of shooting possibilities. These lenses are compatible with a range of camera systems, including RED, ARRI, Sony, and Canon cameras, and are designed to deliver superior image quality and color rendition.

The Sigma FF High-Speed Prime Lens Set is known for its advanced optical design, which includes aspherical lens elements and a unique coating that helps to reduce flare and ghosting and improve contrast. The lenses also feature a consistent T-stop of T1.5 across the entire set, which allows for easy and accurate exposure control. Additionally, the lenses are built to withstand the rigors of professional use, with a durable and weather-resistant construction.

Overall, the Sigma FF High-Speed Prime Lens Set is an excellent choice for film production businesses that require high-quality lenses for their professional productions. The set's advanced optical design, consistent T-stop, and durable construction make it an ideal choice for use in a wide range of shooting environments, while its compatibility with a range of camera systems makes it a versatile tool for film production.

Anamorphics

Arri cameras are a must-have on any production set due to their exceptional image quality, versatility, and durability. With their large sensors and high-end image processing technology,

Arri cameras deliver stunning, cinematic images with rich detail and depth. They are trusted by the film and television industries for their reliability and ability to produce consistently stunning results.

P+S Technik Evolution 2x Kowa Anamorphic Primes

The P+S Technik Evolution 2x Kowa Anamorphic Prime Lenses are a set of high-quality anamorphic lenses that are designed for professional film and television production. The set includes a range of prime lenses with focal lengths ranging from 40mm to 100mm, which allows for the capture of a wide range of shots, from wide-angle landscapes to tight close-ups. The lenses are compatible with a range of camera systems, including RED, ARRI, and Sony cameras, and are designed to deliver superior image quality and color rendition.

The P+S Technik Evolution 2x Kowa Anamorphic Prime Lenses are known for their advanced optical design, which includes a unique lens coating that helps to reduce flare and ghosting and improve contrast. The lenses also feature a consistent T-stop of T2.0 across the entire set, which allows for easy and accurate exposure control. Additionally, the lenses are built to withstand the rigors of professional use, with a durable and weather-resistant construction.

Overall, the P+S Technik Evolution 2x Kowa Anamorphic Prime Lenses are an excellent choice for film production businesses that require high-quality anamorphic lenses for their professional productions. The set's advanced optical design, consistent T-stop, and durable construction make it an ideal choice for use in a wide range of shooting environments, while its compatibility with a range of camera systems makes it a versatile tool for film production.

Atlas Orion Anamorphic Prime A & B Sets

The Atlas Orion Anamorphic Prime Lens A & B Sets are high-end sets of lenses that are designed for use in professional film and television production. The sets include a range of anamorphic prime lenses with focal lengths ranging from 32mm to 100mm, which allows for the capture of a wide range of shots, from wide-angle landscapes to tight close-ups. The lenses are compatible with a range of camera systems, including RED, ARRI, Sony, and Canon cameras, and are designed to deliver superior image quality and color rendition.

The Atlas Orion Anamorphic Prime Lens A & B Sets are known for their advanced optical design, which includes a unique lens coating that helps to reduce flare and ghosting and improve contrast. The lenses also feature a consistent T-stop of T2.0 across the entire set, which allows for easy and accurate exposure control. Additionally, the lenses are built to withstand the rigors of professional use, with a durable and weather-resistant construction.

Overall, the Atlas Orion Anamorphic Prime Lens A & B Sets are an excellent choice for film production businesses that require high-quality anamorphic lenses for their professional productions. The sets' advanced optical design, consistent T-stop, and durable construction make them an ideal choice for use in a wide range of shooting environments, while their compatibility with a range of camera systems makes them a versatile tool for film production.

ZOOMS

Arri cameras are a must-have on any production set due to their exceptional image quality, versatility, and durability. With their large sensors and high-end image processing technology,

Arri cameras deliver stunning, cinematic images with rich detail and depth. They are trusted by the film and television industries for their reliability and ability to produce consistently stunning results.

Angenieux EZ-1 & EZ-2 Set

Created to fill the wide gap between basic still photography zooms, and the highly acclaimed Optimo, Optimo Style family of lenses used in the motion pictures industry, the Angénieux Type EZ series features two new light weight zooms. Thanks to an innovative lens modular design (Interchangeable Rear Optics IRO technology™), both lenses allow the rear lens group to be exchanged between S35mm (up to 30mm image diagonal), and FF/VistaVision format (up to 46mm image diagonal).

For the first time, ENG-style productions will get the flexibility necessary for run-and-gun shooting, combined with an excellence of image quality at an affordable price. Users can also easily change between PL, Canon EF and RF, Sony E mounts. Travel light with this set of versatile and futur proof lenses that work with multiple cameras.

    • Lightweight

    • Extremely fast T2 across the range with no ramping

    • Extremely wide coverage with minimal distortion

    • Internal focusing & zooming, lens size remains constant throughout zooming & focusing range

    • Nice cinematic look that matches with Optimo Series

    • Short MOD 0.6m / 2 feet

    • In-lens thermal compensation, significantly reduces temperature drift

    • Precise and ergonomic focus ring with scale rotation of 300 degrees

    • Luminescent FTZ markings, easy reading in dark

    • Available with PL lens mount, easy conversion to EF or E mount by users

    • Detachable ENG style zoom grip available from MOVCAM

  • T3.0 / 45mm-135mm / 114mm
    T3.0 / 22mm-60mm / 114mm

  • Lens Mount - PL

    Lens Format Coverage - FF/VistaVision

    Image Circle - Up to 46.0 mm

Angenieux Optimo STYLE 25-250mm, 30-76mm, 16-40mm

OPTIMO STYLE: BRING YOUR CONTENT TO LIFE WITH TRUE CINEMATIC LOOK AND 4K+ QUALITY.

The Optimo Style line of zoom lenses inherits the virtues of the famed Optimo Cine lenses, offering extra production efficiency and system compatibility compared with the former Optimo DP lenses. The Optimo Style line is initially comprised of two lightweight zoom lenses with an optional motorization system, and a 10x zoom lens inspired by the legendary Angenieux 25-250mm zoom.

All Optimo Style lenses are carefully manufactured to achieve a resolution of 4K and beyond, making them a sound investment for years to come.

Angenieux Optimo 12X 24-290mm T2.8 Zoom Lens

The Angenieux Optimo 24-290mm zoom stands out for its amazing speed of T 2.8 flat along all the focal range. With a weight of 11 kg, it delivers a 12x outstanding variable prime. The Angenieux Optimo 24-290mm lens is a high performance zoom lens for full-frame cameras. The Angenieux Optimo 24-290mm lens is designed to offer excellent image quality, with a large dynamic range and high resolution. The Angenieux Optimo 24-290mm lens also offers excellent image stability, thanks to its advanced optical design.

  • Successor model to industry reference Optimo 24-290 & 28-340, the Optimo Ultra 12x is the ideal long-range zoom for high-end productions : Feature Films, TV Series, Live Stage, Commercials, Music Videos. The lens features a totally new optical & mechanical design, offering even better optical performance, and improved mechanical stability and serviceability.

  • T2.8 / 24-290mm / 162mm

  • Lens Mount - PL

    Lens Format Coverage - Large Format

    Image Circle - 46.3 mm

ARRI Alura 18-80mm T2.6 Ultra Wide Studio Zoom Lens

Joining forces with Fujinon, ARRI has released a new series of glass known as the Alura's. The outstanding optics of this series provides high resolution and contrast, with minimized ghosting and flares, and reduced chromatic aberration. With a consistent aperture of T2.6 across the entire focal and zoom range, the ARRI Alura 18-80mm weighs 10.4lbs, with a front diameter of 134mm and a close focus of 2'4" (1.7m). This lens is compatible with PL mount cameras.

  • Outstanding Optical Performance

    High resolution for 2K to 4K+ camera outputs

    High contrast through minimized flares and veiling glare (FUJINON multi-layer EBC coating)

    Greatly reduced chromatic aberration through the use of extraordinary dispersion glass

    Large image circle of 31.5 mm covers all current digital cameras

    Low geometric distortion and even field illumination

  • T2.6 / 18-80mm / 134mm

  • Lens Mount - PL

    Lens Format Coverage - Super35

    Image Circle - 31.5 mm

Fujinon Cabrio 19-90mm T2.9 Zoom Lens

The Fujinon Cabrio 19-90mm T2.9 Zoom Lens is a high-quality professional lens designed for use in film and television production. It features a versatile focal range of 19-90mm, making it an ideal lens for a wide range of shooting scenarios, including documentary, narrative, and live events.

The lens features advanced optics, which includes fluorite and aspherical lens elements, that reduce chromatic aberration and improve overall image quality. It also features a fast T2.9 maximum aperture, which allows for accurate exposure control and beautiful depth-of-field effects.

The Fujinon Cabrio 19-90mm T2.9 Zoom Lens is built to withstand the rigors of professional use, with a durable and weather-resistant construction. It also features a range of advanced features, including a 0.8 pitch gear, which allows for easy use with follow focus systems.

The lens is compatible with a range of camera systems, including RED, ARRI, Sony, and Canon cameras, making it a versatile tool for film production businesses. Overall, the Fujinon Cabrio 19-90mm T2.9 Zoom Lens is an excellent choice for film production businesses that require a high-quality and versatile lens for their professional productions.

  • The Fujinon ZK19-90mm T2.9 Cabrio Lens is a wide to telephoto zoom lens for Super 35mm cameras, and it features a PL mount. The focus, zoom, and iris barrels are geared with standard 0.8 film pitch, which provides an interface for the removable ENG-style digital drive unit. The rear PL mount features electrical contacts for sharing ARRI LDS and Cooke /i Technology lens data with the camera.

  • T2.9 / 19-90mm / 114mm

  • Lens Mount - ARRI PL

    Lens Format Coverage - Super35

    Image Circle - 31.5mm

Laowa OOOM 25-100mm T2.9 Zoom Lens

The Laowa OOOM 25-100mm T2.9 Zoom Lens is a professional cinema lens designed for use in film and video production. It features a versatile focal range of 25-100mm, making it ideal for a variety of shooting scenarios, from wide-angle shots to close-ups.

The lens is designed with high-quality optics, featuring 20 elements in 16 groups, including three extra-low dispersion elements and one aspherical element, which work together to deliver excellent image quality with minimal distortion and chromatic aberration.

The Laowa OOOM 25-100mm T2.9 Zoom Lens has a fast maximum aperture of T2.9, which allows for precise control of depth-of-field and low-light shooting. It also has a 270-degree focus rotation, making it easy to achieve precise focus when using follow focus systems.

The lens has a rugged and durable construction, with a weather-sealed design that allows it to be used in harsh shooting environments. It also features a removable tripod mount and a 95mm front filter thread, making it easy to use with a range of accessories.

    • Comprehensive 4X zoom range

    • Super 35+ coverage

    • Parfocal design

    • Extremely low focus breathing

    • Constant T2.9

    • Super close focusing distance

    • Interchangeable PL/EF/FE mounts

    • Full Frame sensor compatible via 1.4x FF Expander

    • 1.33X Rear Anamorphic Adapter designed to create 2.39:1 widescreen aspect ratio

  • T2.9 / 25-100mm / 100mm (114mm step-up ring included)

  • Lens Mount - Interchangeable PL/EF/FE Mounts

    Lens Format Coverage - Super35

    Image Circle - 33.0 mm

Canon CINE-SERVO Zooms, 25-250mm & 17-120MM

The CINE-SERVO lenses provides cinematographers and broadcast operations with a compact, lightweight design (only 6.7 lbs.) using Canon optical elements, while offering outstanding performance and reliability in professional shooting environments.

The new lens is fully 4K-ready, with a high optical resolution and support for Super35mm large-format cameras. An 11-blade aperture diaphragm helps ensure an artistic and beautiful representation of out-of-focus areas (or "Bokeh"). The lens also features a high 10x zoom magnification, wide focal length range of 25mm to 250mm, and a 180o smooth rotating focus ring.

Acknowledging that broadcasters often need to control zoom, focus and iris/aperture in different ways than filmmakers, Canon has developed this zoom lens with full external servo control for drama, documentary and other broadcast productions. The servo drive unit is compatible with industry-standard protocols for control from a number of lens controllers including Canon's standard broadcast lens controllers (ZSD-300D/FPD-400D) and multiple industry standard cinema lens controllers. The drive unit can be easily removed for cinema-style shoots and can be easily re-attached without any manual re-alignment. A 16-bit metadata output enables connection to virtual studio systems.